Updated recommendations to
companies who might wonder
how to value their films or libraries.
_____________________________________________
Written By
Stephen J. Kerr & Sarah Nean Bruce
companies who might wonder
how to value their films or libraries.
_____________________________________________
Written By
Stephen J. Kerr & Sarah Nean Bruce
PREAMBLE:
Stephen Kerr, has been an appraiser of film and television properties for more than 25 years. He recently finished the valuation of three more film libraries for the owners/distributors of those titles. In 2014, he published an article while consulting with a number of film sales agencies and distributors about the challenges they were facing.
In 2017, he updated that piece.
Stephen Kerr, has been an appraiser of film and television properties for more than 25 years. He recently finished the valuation of three more film libraries for the owners/distributors of those titles. In 2014, he published an article while consulting with a number of film sales agencies and distributors about the challenges they were facing.
In 2017, he updated that piece.
If you want to buy or sell all the rights to a film, you do not necessarily have to call an appraisal company to arrive at a fairly accurate value of the property.
My firm has been valuing book, music, software, film and television (intellectual) properties for more than 25 years and we have also studied the valuation techniques of many other firms as well, and for the most part, it comes down to “apples to apples”.
→ STEP ONE
Break down the film, or films, by director, star(s), genre, original box office (or DVD) revenue and foreign/domestic exposure.
My firm has been valuing book, music, software, film and television (intellectual) properties for more than 25 years and we have also studied the valuation techniques of many other firms as well, and for the most part, it comes down to “apples to apples”.
→ STEP ONE
Break down the film, or films, by director, star(s), genre, original box office (or DVD) revenue and foreign/domestic exposure.
→ STEP TWO
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